1. |
Cut
04:21
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Who’s that creature pulling shapes in the dark?
A moving shadow at the edge of the park
Under cover of soft winds and summer rain
Two heads, two hearts, two sets of body parts
Who are those creatures, so reckless and bold?
Making love like it’s made of gold
No one here but two fearless souls that delve
into something they become when they leave themselves
Roll the camera
Pull in tighter
Watch their faces as they come alive
Cue the music
Get in closer
And then walk away
If you can walk away
Cut!
Who are those creatures when they’re afraid?
When they abandon the gold they made
When they flee the scene of the crime at dawn,
and return the next night making love on the lawn
We make no sense, we make such a mess
We get so drunk with powerlessness
and so hooked on offering everyone else
the very same escape we deny ourselves
Roll the camera
Pull in tighter
Watch our faces as we come alive
Cue the music
Hold me closer
And then walk away
If you can walk away
Cut!
«This isn’t happening, don’t get no ideas!
We’re in a scene, it’s not you, it’s not me»
It was easy enough to call our bluff,
but I felt truly insane jumping off that train
How did we do it? How did we stop?
As we lay motionless in the grass you could hear a pin drop
and the silent storm in our chests subsiding,
hiding two exploding hearts colliding
Let’s keep rolling
Let it happen
Say «I love you» like the camera does
Kiss each other in slow motion
And then walk away
If you can walk away
Roll the camera
Pull in tighter
One last close-up if we still have time Kill the music
Kill the moment
And then walk away
If you can walk away
Cut!
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2. |
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The sound of sirens carry across town,
from your new corner of LA and all the way to mine
Some lovers remain connected
long after love was rejected
My character has broken the fourth wall
Turns out I’m sentimental after all
The grass still greener on the other side
The sea of blue, the darkened sky surrender to the tide
Our love was so unexpected
Its gentle steps undetected
Now you’re the only song I can recall
Appearing anywhere my shadows fall
Turns out I’m sentimental after all
In my cold independence bed I hide
and reminisce, from our first kiss to our last of many goodbyes
We tried so hard to move on
but I got lost when you found someone
I asked for this, nothing could break my fall
I broke my own heart, slammed it against the wall
only to find what’s obvious to all
Turns out I’m sentimental to a fault
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3. |
Dead Of The Night
10:07
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In the dead of the night,
the dead of the night
All has been done before
Every possible shape
Every human position
Every euphoric decent and impossible mission
in the dead of the night
The dead of the night
Every horror, every blow
Every transcendent sensory overload
All good faith shaken
All that hard-earned trust forsaken
in the dead of the night
The dead of the night
And you’re watching
Every use of the body,
each and every combination,
in the shape of someone else’s imagination
The dead of the night
Every footprint, every limb
Under the ladder where the stars grow dim
in the dead of the night
Every killer and missionary
Every fuckboy beauty or sweet tooth Mary
Every language of love
Every lack of response from the moon up above
Every bodily fluid and the way that we blend
Every collapse of the heart when two poor souls meet their end
in the dead of the night
And you’re watching
We’re living in the dead of the night
in the hope that we might inspire another ending
We’re living in the dead of the night
in the hope that we might inspire another ending
In the dead of the night
The dead of the night
Stop time, stop time
Stop time, stop time
Every set of lies
and false equivalence
Every theory of conspiracy
is someone else’s common sense
Every murder and conception
Every inevitable rejection
Every sly and selfish lover
Every dreamboat undercover
Every timeless art you picked up too late
Every subtle hint, every reckless bait
Intoxicated hope and intuition cannot will my love into fruition
in the dead of the night
The dead of the night
We think we’ve seen it all
but we’re not at all original
So precious on our walk of shame
past the priests who cast their blame
Our hesitation wearing thin
and the scent of desperation seeping from my skin
Every power balance turned around
Every night spent scrolling without a sound
Our souls vibrate, our senses kneel
Our great escape, our chance to heal
Every thirsty eye, every tie that binds
Every cry of passion, every almost crime
All the city sleeps, and all the city shines,
but for that moment when we stopped time
In the dead of the night
The dead of the night
In the dead of the night
The dead of the night
Stop time, stop time for me, honey
Stop time, stop for me
This is fake blood, and we were mixing it with real blood
And we mix it and mix it and mix it and mix it and
Fake blood, real to me
And we mix it and mix it and mix it and mix it and mix it and mix it
Real blood!
And we’re watching
We’re watching
We’re the dead of the night
The dead of the night
We’re the dead of the night
The dead of the night
Stop time, stop for me
Stop
Volume 1 Track 2
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Sondre Lerche Los Angeles, California
Chord progression artist, performance person, lyricist and songwriter
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